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Not in the Flesh

A Wexford Novel

#21 in series

Audiobook
1 of 2 copies available
1 of 2 copies available
A new Chief Inspector Wexford mystery from the author who Time magazine has called “the best mystery writer in the English-speaking world.”
When the truffle-hunting dog starts to dig furiously, his master’s first reaction is delight at the size of the clump the dog has unearthed: at the going rate, this one truffle might be worth several hundred pounds. Then the dirt falls away to reveal not a precious mushroom but the bones and tendons of what is clearly a human hand.
In Not in the Flesh, Chief Inspector Wexford tries to piece together events that took place eleven years earlier, a time when someone was secretly interred in a secluded patch of English countryside. Now Wexford and his team will need to interrogate everyone who lives nearby to see if they can turn up a match for the dead man among the eighty-five people in this part of England who have disappeared over the past decade. Then, when a second body is discovered nearby, Wexford experiences a feeling that’s become a rarity for the veteran policeman: surprise.
As Wexford painstakingly moves to resolve these multiple mysteries, long-buried secrets are brought to daylight, and Ruth Rendell once again proves why she has been hailed as our greatest living mystery writer.
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    • AudioFile Magazine
      Two corpses turn up in rapid succession in an English village, and Chief Inspector Wexford must unravel the mystery of how they got there, whether they're related, and who did what to whom. Simon Vance performs this latest Ruth Rendell mystery with a blend of spirited adventure and subdued reverence. Vance imparts enough variation to the story's heroes and villains that a listener new to the series can easily differentiate among them. His portrayal of protagonist Wexford adds to the mature, somewhat tired, character created by Rendell, giving the middle-aged protagonist both the vulnerability of age and the strength of a lawman. Those familiar with Wexford will not be disappointed, and newcomers will be inspired to try more. R.L.L. (c) AudioFile 2008, Portland, Maine
    • Publisher's Weekly

      Starred review from September 29, 2008
      In addition to solving two long-ago murders, Chief Inspector Wexford is troubled by female genital mutilation in the local Somali community. The temptation would be to cut the subplot, but this abridgment retains the richness of the novel. Tim Curry's performance is splendid, even better than Daniel Gerroll's excellent performance of Rendell's End in Tears
      . Curry does a particularly marvelous job with the minor characters, such as the two wives-in-law of a local author, who cackle at the sexual innuendos of their own jokes. Then there's 84-year-old Irene McNeil, alternately supercilious and weepy. Throw in the obsessive Grimbles, on whose land the bodies were found; some migrant fruit-picking Roma; Wexford's family; Somali immigrants; and Curry somehow sounds like a full-cast audio. If only Wexford sounded less like his assistant Burden, the performance would be absolutely perfect. A Crown hardcover (reviewed online).

    • Publisher's Weekly

      June 2, 2008
      In bestseller Rendell's superb 21st Inspector Wexford mystery (after 2005's "End in Tears"), the British police detective investigates first one, then two male bodies that turn up on the old Grimble property in the insular hamlet of Flagford. Who were these men? Are their deaths related? Older people fill this wise and nuanced storysleepy, bitter and disengagedsince no current crime is at stake, just these two literal skeletons from the past. Among the suspects in the bizarre case are dying fantasy novelist Owen Tredown, who lives with two loopy women, Claudia and Maeve, his divorced first and second wives, in a hideous Victorian manor. Outside groupsincluding members of the Somali community and itinerant fruit-pickerstantalize with their secrets and idiosyncrasies. The suspense persists until the book's final sentences, when the last pieces of the puzzle click elegantly yet unexpectedly into place. "(June)" .

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