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The End of San Francisco

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1 of 1 copy available
1 of 1 copy available

The End of San Francisco breaks apart the conventions of memoir to reveal the passions and perils of a life that refuses to conform to the rules of straight or gay normalcy. A budding queer activist escapes to San Francisco, in search of a world more politically charged, sexually saturated, and ethically consistent—this is the person who evolves into Mattilda Bernstein Sycamore, infamous radical queer troublemaker, organizer and agitator, community builder, and anti-assimilationist commentator. Here is the tender, provocative, and exuberant story of the formation of one of the contemporary queer movement's most savvy and outrageous writers and spokespersons.

Using an unrestrained associative style to move kaleidoscopically between past, present, and future, Sycamore conjures the untidy push and pull of memory, exposing the tensions between idealism and critical engagement, trauma and self-actualization, inspiration and loss. Part memoir, part social history, and part elegy, The End of San Francisco explores and explodes the dream of a radical queer community and the mythical city that was supposed to nurture it.

"Mattilda is a dazzling writer of uncommon truths, a challenging writer who refuses to conform to conventionality. Her agitation is an inspiration."—Justin Torres, author of We the Animals

"Author Mattilda Bernstein Sycamore is the artistic love child of John Genet and David Wojnarowicz, deconstructing language swathed in unbridled sensuality, while flinging readers into a disrupted, chaotic life of queer anarchy."—Gay and Lesbian Review

"Bring on The End of San Francisco! And Mattilda Bernstein Sycamore, whose new book has reinvented memoir without the predictable gloss of passive resolution. This book is undeniably brave and new, and the internal energy churning at its core is like nothing you've seen, heard or read before. I swear."—T Cooper, author of Real Man Adventures

"We hear so much about coming-of-age narratives that we seldom think about going-of-age—the shutting down and closure, the making sense of where we've been. Written with grace, reserve, and the honest tremblings that come when things matter, Mattilda shows us that The End of San Francisco is really the beginning of joy."—Daphne Gottlieb, author of 15 Ways to Stay Alive

"It would be easy to describe The End of San Francisco as a Joycean 'Portrait of the Artist as a Young Queer' (although the book's intense stream of consciousness is reminiscent of the later, more experimental, Joyce)...but this is misleading. This journey of a life that begins in the professional upper-middle class (both parents are therapists) and the Ivy League and moves to hustling, drugs, activism—Sycamore was active in ACT UP and Queer Nation—and queer bohemian grunge, is profoundly American. At heart, Sycamore is writing about the need to escape control through flight or obliteration."—Michael Bronski, San Francisco Chronicle

"But, some of my favorite writers and people released books this year. Like Mattilda Bernstein Sycamore's beautiful book about queerness and community and lack of and disappointment and marginalization and gentrification and sex, The End of San Francisco. God, I love that book, on a sentence level it is just heartbreaking."—Jessa Crispin, Bookslut

Mattilda Bernstein Sycamore is the editor of four anthologies, including Why Are Faggots So Afraid of Faggots, That's Revolting, and Nobody Passes, and two novels. She writes regularly for a variety of publications, including the San Francisco Bay Guardian, Bitch, Bookslut, Alternet, and Time Out New York, and is the reviews editor at...

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    • Kirkus

      March 15, 2013
      An outspoken, gender-ambiguous author and activist reflects on her halcyon days as a wild child in San Francisco. The powerful opening chapter of Sycamore's (So Many Ways to Sleep Badly, 2008, etc.) deeply personal portrait finds the author (then "Matthew") alternately sobbing at her father's deathbed and demanding acknowledgment of the sexual abuse he'd visited upon his only son. It's a raw, sobering scene that sets the tone for this introspective chronicle charting Sycamore's zany gay youth zipping from one coast to the other in the heady 1990s. Sartorially eccentric with pink dyed hair, the author spent her restless youth commanding a "secret world" drugging and dancing in gay nightclubs and then cruising for men online and in sex clubs from San Francisco to Boston to New York City. She writes of becoming gleefully seduced by the gender fluidity of San Francisco's house music-powered club scene circa 1992 and participation in AIDS activism with ACT-UP. Her efforts to create a San Francisco counterculture with political activist movement Gay Shame only reiterated how much she'd outgrown the Bay Area. There are moments when Sycamore's youth captivates with unapologetic, stream-of-consciousness tangents about bygone club life or street hustling, while in other spots, she is poetic and tender, as in describing her own exasperation with gay attraction, wishing sexual desire would "become something else like lying in the grass and holding the sky." Delivered in a free-form, associative writing style, Sycamore's effort to exorcise the demons from her past is blunt, dynamic and original. A blisteringly honest portrait of a young, fast and greatly misunderstood life.

      COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.

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