Goddess

April 7, 2008
The Arabian Nights–flavored Percheron saga finally comes to an end in this shallow follow-up to 2007's Emissary.
Young, pregnant Ana (not to be confused with Lyana, a goddess, or Ellyana, her messenger) is held captive by Arafanz, a religious zealot who wants the child believed to have been sired by Zar Boaz, Ana's disloyal husband and Percheron's leader. Could the father actually be the man Ana loves more, Galinsea's Prince Lucien, aka Spur Lazar? Imprisoned, Ana frets while Zar Boaz and Lazar search for her with help from Iridor, a shape-changing demigod. Manipulative demon Maliz, who inhabits the Zar's grand vizier and skips to another human shell when need arises, does everything he can to stop them, and their efforts are further hampered when war breaks out between Percheron and Galinsea. The tale is marred by sluggish pacing and uninteresting characters, and lacks an introduction that might help new readers understand the multilayered plot.

November 5, 2001
Even if it weren't competing head-to-head with two other Madonna biographies by titans in their fields (J. Randy Taraborrelli's Madonna: An Intimate Biography
and Andrew Morton's Madonna), this overstuffed and plodding chronicle of the ever-morphing entertainer is sure to try the patience of most fans. Using the filming of Evita
as a touchstone, Victor ceaselessly links much in Madonna's life to the struggle to make that film. Unconvinced readers may suspect the heavy emphasis is merely because Victor was in Argentina when the filming began in 1996 and at that point she
decided to pen Madonna's life story. The lion's share of the tome is devoted to the pre-celebrity life of Madonna Louise Ciccone, the third of eight children raised in a large traditional Italian household in Michigan. Her mother died of breast cancer when Madonna was only six years old, leaving a void and obsession that both haunted and drove the future star toward her desire to be a dancer and then a singer and actress. Victor's erratic continuity will be a challenge for fans who like linear biographies. Although the author focuses on Madonna's life in New York before the release of her first album in 1983, numerous incidents provoke Victor to push readers decades forward and back with dizzying effect. Madonna has obligingly provided a storybook happy ending, with the Material Girl now happily married (to director Guy Ritchie) and a mother of two, living in the U.K. (Nov. 6)Forecast:Fans not already sated by Taraborrelli's fast-moving, admiring account may skip this one and wait for Morton's higher-profile release also in November.