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A Dangerous Woman

Audiobook
2 of 2 copies available
2 of 2 copies available
Martha Horgan is not like other women. She stares. She has violent crushes on people.  She can't stop telling the truth.  Martha craves love, independence, and companionship, but her relentless honesty makes her painfully vulnerable to those around her: Frances, her wealthy aunt and begrudging guardian; Birdy, who befriends her, then cruelly rejects her; and Colin Mackey, the seductive man who preys on her desires.  Confused and bitter, distrusting even those with her best interests at heart, Martha is propelled into a desperate attempt to gain control over her own life. The sense of impending calamity is almost unbearable in this portrait of a woman who teeters on the edge of madness.
 
 
"Morris's magnanimous ability to portray her characters with so much tenderness and cruelty may be her novel's finest strength."—Boston Sunday Globe
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    • AudioFile Magazine
      Martha Horgan is a young woman who has been treated all her life with a mixture of fear, mocking and mean-spiritedness simply because she is odd and doesn't fit in. Kimberly Schraf catches the tone of those who taunt Horgan and drive her to the edge of desperation. Schraf skillfully develops Horgan's voice and personality as a neurotic reflection of the traits and personality of those "normal" people who have influenced her. Schraf narrates in a manner that adds dimension and realism without overreaching. Her speech patterns and cadence suggest a character suffering from obsessive-compulsive disorder, who can't process the subtleties or ironies of those around her. J.E.M. (c) AudioFile 2000, Portland, Maine
    • Publisher's Weekly

      January 1, 1991
      This second novel corroborates the remarkable talent McGarry displayed in Vanished , her stunning story of a child kidnapped by two misfits. Here again her protagonist is a woman who is not ``normal,'' 32-year-old, emotionally unstable Martha Horgan. Neither Martha nor her small Vermont town have recovered from an incident in Martha's teens when she was sexually humiliated by a group of boys; ``that night in the woods'' is the leitmotif of her life. Now universally known as ``Marthorgan,'' achingly aware that she is different but unable to govern her inappropriate behavior, Martha is handicapped by an outspoken candor unfettered by tact or guile. Having lost her only job and the benevolent attention of the kindhearted woman who hired her, Martha is obliged to return to the home of her aunt, the young widow of the town's richest citizen, who grudgingly assumes responsibility for her high-strung niece. When a seedy, erratic but charming boozer comes on the scene, Martha's uncontrollable sexual longing and the aftermath of her obsessive love breed inevitable tragedy. McGarry's portrayal of Martha's damaged psyche is unerringly empathetic, honest and compassionate. She turns the same clear-sighted eye on the book's other characters, a richly human mixture, and even the less admirable sometimes redeem themselves with thoughtfulness toward the self-destructive Martha. In the end, as Martha falls through the safety net her impaired condition requires, the community confronts its culpability in failing to provide emotional succor. In this compelling, suspenseful narrative, Morris speaks to larger issues while limning an unforgettable portrait of a vulnerable woman. 50,000 first printing; $50,000 ad/promo; BOMC selection; movie rights to Am blin Entertainment; author tour. (Jan.) .

    • AudioFile Magazine
      Martha Horgan, the central figure in Morris's deeply affecting second novel, is an endlessly exasperating character. Suffering a mental illness that is never defined, she yearns for love and human connections yet is incapable of fathoming how to fulfill those needs. Surrounded by people who are themselves selfish, self-absorbed or uncaring, Martha's possibilities for happiness are dim indeed. In a heartbreaking and intelligent performance, Phimister conveys the depths of Martha's desire and her frustrations at deciphering the nature of others. Phimister's clipped voice captures the tortured young Vermont woman's vulnerability, as well as the brittleness that intimidates those around her. As the story proceeds, the sense of impending calamity for a character you have come to like becomes almost unbearable. M.O. (c)AudioFile, Portland, Maine
    • Publisher's Weekly

      January 1, 1992
      Sexually humiliated as a teenager, ostracized by her community and recently fired from her job, high-strung Martha Horgan, 32, falls obsessively and tragically in love with a charming boozer. ``In this compelling, suspenseful narrative, Morris speaks to larger issues while limning an unforgettable portrait of a vulnerable woman,'' said PW.

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