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The Art of Rivalry

Four Friendships, Betrayals, and Breakthroughs in Modern Art

Audiobook
1 of 1 copy available
1 of 1 copy available
Rivalry is at the heart of some of the most famous and fruitful relationships in history. The Art of Rivalry follows eight celebrated artists, each linked to a counterpart by friendship, admiration, envy, and ambition. All eight are household names today. But to achieve what they did, each needed the influence of a contemporary—one who was equally ambitious but possessed sharply contrasting strengths and weaknesses.
Edouard Manet and Edgar Degas were close associates whose personal bond frayed after Degas painted a portrait of Manet and his wife. Henri Matisse and Pablo Picasso swapped paintings, ideas, and influences as they jostled for the support of collectors like Leo and Gertrude Stein and vied for the leadership of a new avant-garde. Jackson Pollock's uninhibited style of "action painting" triggered a breakthrough in the work of his older rival, Willem de Kooning. Lucian Freud and Francis Bacon met in the early 1950s, when Bacon was being hailed as Britain's most exciting new painter and Freud was working in relative obscurity. Their intense but asymmetrical friendship came to a head when Freud painted a portrait of Bacon, which was later stolen.
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    • Publisher's Weekly

      Starred review from June 6, 2016
      In this beautifully written book, Pulitzer Prize–winning art critic Smee (Lucian Freud) explores the dramatic relationships between Lucian Freud and Francis Bacon, Pablo Picasso and Henri Matisse, Édouard Manet and Edgar Degas, and Jackson Pollock and Willem de Kooning. Concerned with “yielding, intimacy, and openness to influence” more than pure rivalry, Smee provides a concise biography of each pair, highlighting the similarities and differences between their lives, philosophies, and personalities. This illuminating text draws connections between the pairs (the personal tension between Degas and Manet is, for example, similar to that between Freud and Bacon) and cleverly links events in the artist’s lives, such as two parallel tragedies within Matisse and Picasso’s close families, and Freud’s and Bacon’s separate—though similarly intense and devastating—love affairs. This ambitious and impressive work is an utterly absorbing read about four important relationships in modern art.

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  • English

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