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The Habit

A History of the Clothing of Catholic Nuns

ebook
1 of 1 copy available
1 of 1 copy available
The first book to explore the symbolism of this attire, The Habit presents a visual gallery of the diverse forms of religious clothing and explains the principles and traditions that inspired them.
Curiosity about nuns and their distinctive clothing is almost as old as Catholicism itself. The habit intrigues the religious and the nonreligious alike, from medieval maidens to contemporary schoolboys, to feminists and other social critics. More than just an eye-opening study of the symbolic significance of starched wimples, dark dresses, and flowing veils, The Habit is an incisive, engaging portrait of the roles nuns have and do play in the Catholic Church and in ministering to the needs of society.
Drawing on archival research and personal interviews with nuns all over the United States, Elizabeth Kuhns examines some of the gender and identity issues behind the controversy and brings to light the paradoxes the habit represents. For some, it epitomizes oppression and obsolescence; for others, it embodies the ultimate beauty and dignity of the vocation.
Complete with extraordinary photographs, including images of the nineteenth century nuns’ silk bonnets to the simple gray dresses of the Sisters of Social Service, this evocative narrative explores the timeless symbolism of the habit and traces its evolution as a visual reflection of the changes in society.
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    • Publisher's Weekly

      August 4, 2003
      Even though relatively few Catholic nuns actually wear the distinctive uniforms today, the habit still fascinates and disconcerts Catholics and non-Catholics alike. This "wearable sacramental" sums up much about Catholic spirituality and history, and Kuhns does a workmanlike job of taking readers back to the habit's early origins, through its myriad medieval variations and up to its conflicted present. Along the way we are reminded of the many roles that religious women have played in the development of Catholicism and of Western society, roles that were reflected in the clothing they wore, from peasant simplicity to elaborate creations of silk. Kuhns pays particular attention to the complex interplay between social class and the life of the cloister—different orders drew their membership from distinct social strata. Unfortunately, aside from a deftly written introductory chapter that examines the habit's contemporary fascination, much of the book sorts dutifully through too much history, without a clear story line to keep the reader's interest. One also wishes for a greater variety of illustrations than a single appendix consisting of 1950s-era photographs of habits from a variety of orders. Kuhns is strangely neutral on the question, still hotly debated, of whether the habit is a liberating or oppressive force today. This inconclusive conclusion is something of a letdown in a book about Christianity's most dramatic and durable fashion statement.

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