Book of Night

September 1, 2022

Black's ("Spiderwick Chronicles") adult fantasy debut features a system of magic based on shadows--people can detach from their shadows, augment or embellish them, and, in some cases, train them to act separately from their person. People who can manipulate shadows are called gloamists, or "glooms." Charlie Hall is a bartender and a mostly reformed con artist and thief of magical artifacts, stealing objects from and then selling them to various gloamists. She lives in the Berkshires with her boyfriend, Vince, and younger sister Posey. Charlie is trying to stay under the radar and on the straight and narrow, but when she finds the body of a murdered man who may have stolen a rare book of magic from evil billionaire Lionel Salt, she gets pulled back into the--literally--shadowy underworld. Black's world building is strong, and while the central plotline wraps up at the end, she leaves room for future books set in the world of the gloamists. Sara Amini's narration is exceptional, providing unique voices for the broad range of characters. VERDICT Listeners who enjoy real-world fantasy such as Leigh Bardugo's The House of Night will delight in Black's latest.--Stephanie Klose

Copyright 2022 Library Journal, LLC Used with permission.

When you were growing up, did you play with your shadow? In her wondrous, sinister and engrossing adult debut, Book of Night, young adult fantasy veteran Holly Black presents a decidedly mature perspective on our relationships with our silhouettes. It’s a wildly entertaining, magic-filled mystery haunted by criminals with murky intentions. Charlie Hall slings drinks at a seedy bar in the Berkshires, but it’s better (well, safer) than her previous profession as a small-time con artist and thief. She’s happy to have some stability after her long involvement in the underground world of gloamists, magicians who can manipulate shadows. In this world, shadows can be altered to look different for entertainment, but they can also be used for more nefarious purposes such as influencing someone’s thoughts or even committing murder. Charlie’s been smart about avoiding trouble, but when a bar patron is murdered and a mysterious millionaire from Charlie’s past returns, she’s forced to revisit her former life in order to find a book filled with unimaginable power. A consistent atmosphere of dread and foreboding reinforces the core magic system, giving shadow magic a sharp, dangerous edge. Black unspools the mystery patiently and deliberately, interjecting short chapters titled “The Past” that reveal specific moments from Charlie’s memory into the present-day narrative. I couldn’t help but think of film noir while reading, not only because of the dark aesthetic and criminal elements but also because of the incredible weight of each character’s past. Shadow magic has a multitude of metaphoric implications, and Black keeps a firm hand on the wheel as she explores them. The idea of shadows, indelibly attached to us in our world, being a means for division and deception is intriguing; Think Peter Pan and his ongoing struggle to rein in his own shadow. Though humorous, the idea of losing control of something that is part of us is also uncomfortable. That sense of discomfort and destabilization is even greater in Book of Night as shadows are used in various creative yet frightening ways. An ongoing theme of obfuscation, of truths being hidden or only half-revealed, also contributes to this feeling of unease. Black’s plot is expertly crafted, her magic system simple yet interesting, her characters wounded and very human (well, most of them anyway). Mystery fans will find a lot to love here, but so will lovers of more traditional fantasy. Book of Night will have you looking over your shoulder, out of the corner of your eye, wondering if your shadow just moved.